Saving an Endangered Art Indias Handloom Heritage Saumya Sindhwani Geetika Shah Srishhti Sinha Rajshree Shukla 2023

Saving an Endangered Art Indias Handloom Heritage Saumya Sindhwani Geetika Shah Srishhti Sinha Rajshree Shukla 2023

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I have been studying the indian handloom art industry for the last two years. My research indicates that the endangered heritage is at a critical point of no return. The traditional weaving practices have faced a major setback due to globalization and advances in technology. Artisans are no longer able to produce the same amount of weave as they used to in the past. However, this doesn’t stop the passion that these artisans have for their craft, as it’s their life work. To save this heritage, the state government

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Saving an Endangered Art Indias Handloom Heritage – A Case Study India’s handloom heritage is a source of cultural pride and pride, which has been a source of livelihood for the people of the country for centuries. In recent years, however, India has witnessed a decline in the number of handloom artisans in rural areas. This article discusses the efforts made by Saumya Sindhwani (an experienced handloom artisan) and the initiative taken by Geetika Shah

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– Ancient handlooms in Indian Art: In the field of Indian art, handloom weaving is prevalent, but in the past 20-30 years, it has been a bit neglected. According to Geetika Shah, the handloom heritage of India is dying. – The situation is dire: In some villages, handlooms have lost all its traditional value. Saumya Sindhwani shares her personal experience, where a small village near her hometown had stopped handloom. – Sindhw

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I spent a long time exploring the lost art of handlooms in India. blog here Handloom weaving is a centuries-old art form and it’s a way of life. The artisans are highly skilled, and their traditional techniques have been passed down from generation to generation. However, their work has been in danger since the inception of modern industrialization. In the past few years, I came to realize that the time was running out. The art form is at a critical juncture, and it’s in danger of being lost forever. The

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The story starts in a small village called Shrimli in Rajasthan. At that time, the region was known as the “Handloom Country”. The story was about ‘Munna,’ a weaver of the village. He used to make hand-spun cotton in a traditional method. The process was slow, but it yielded fabulous results. Munna’s hand-spun cotton cloth was loved by everyone, including the royalty. But the situation was different in the year 2020. The pandemic broke

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In 2015, the Govt. Of India launched the World Book of Records, to make India the first country in the world to celebrate handloom art. The initiative aimed to revive the dying art forms of Handloom weaving and preserve its heritage. The government encouraged artisans and weavers to preserve their craft and make it an income-earning activity. Shruti Sinha, a weaver from Nanded, in Maharashtra, was chosen as the weaver of the century in the